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"The Science of Storytelling" by Will Storr is a powerful book that combines neuroscience, psychology, and writing craft to explore how and why stories work. If you're looking for an SBQ (Short Book Questions) or a summary of key takeaways, here’s a structured breakdown that can help:
🔍 SBQ – “The Science of Storytelling” by Will Storr
1. What is the core thesis of the book?
Storr argues that humans are storytelling animals — our brains are wired to create and consume narratives. Understanding the psychological and neurological roots of storytelling can make writers better at crafting compelling characters and narratives.
2. What is the psychological foundation of storytelling according to Storr?
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The brain creates a sense of self: It constructs a story around who we are, what we want, and how the world works.
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Stories work by challenging this internal model of the world.
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Conflict arises when reality clashes with a character’s flawed worldview.
3. How does Storr define a character?
A character is essentially:
"A flawed person with a mistaken idea about the world, struggling to make sense of their life."
Their “fatal flaw” stems from the way their brain has been shaped by early experiences.
4. What role does change play in storytelling?
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Stories are about change.
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The most compelling narratives track a character's internal transformation (not just external events).
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This reflects real life: we grow by confronting uncomfortable truths.
5. What are some writing techniques recommended in the book?
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Show the character’s worldview in action.
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Don’t over-rely on plot twists—emotional and psychological truths matter more.
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Use “moments of unexpected truth” to shift a character’s thinking.
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Make your character’s flaw central to the story arc.
6. What is “the God moment” Storr refers to?
This is a pivotal moment in a story when the character is forced to see the truth about themselves and the world. It’s often painful but leads to growth.
7. How does the book use neuroscience to explain storytelling?
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The brain is a prediction machine; it constantly builds models of reality.
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Storytelling mimics this process by challenging those predictions.
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We get emotionally involved when a character’s brain model (like ours) is under threat.
8. Key quote from the book?
“We tell ourselves stories in order to live… We create ourselves with stories. And these stories can change.”
9. Who should read this book?
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Writers (fiction and nonfiction)
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Screenwriters
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Marketers
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Anyone curious about human psychology or how stories shape culture and behavior
10. Final takeaway?
Great storytelling is not just about what happens, but what it means to the character. Writers must dive deep into the psychology of belief and change to truly connect with readers.
If you'd like a chapter-by-chapter breakdown or practical exercises from the book, just let me know!
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