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Yes—there are a few relevant Pāli (early Buddhist) lines and classic “tagline-style” verses that fit the Yasa awakening story very well, even though the suttas don’t give a full dramatic dialogue in that exact form.
Here are some authentic and closely relevant ones:
🪷 1. Buddha’s core teaching (Dhammapada 5)
A perfect “Yasa moment” reflection:
“Na hi verena verāni sammantīdha kudācanaṃ”
Hatred is never ended by hatred.
👉 (More broadly: suffering is not solved through craving or emotion—it ends through insight.)
🌿 2. Impermanence insight (Dhammapada 277)
This matches Yasa’s realization about wealth and emptiness:
“Sabbe saṅkhārā aniccā”
All conditioned things are impermanent.
👉 Core idea Yasa experiences: luxury cannot last, so it cannot satisfy.
🧘 3. Awakening theme (Dhammapada 183)
A direct “Buddha teaching Yasa” style line:
“Sabba pāpassa akaraṇaṃ, kusalassa upasampadā”
To avoid all evil, to cultivate good.
👉 This becomes the foundation of the path the Buddha offers.
🌸 4. Liberation from craving (Dhammapada 203)
Very aligned with Yasa leaving his palace:
“Jighacchā paramā rogā, saṅkhāra paramā dukkha”
Hunger is the worst disease; conditioned existence the greatest suffering.
👉 Symbolic: even luxury life contains deeper “hunger” of mind.
🔥 5. “Tagline-style” summary of Yasa’s awakening (modern paraphrase of Buddhist tone)
This is not direct scripture, but faithful to early Buddhism:
“When the mind sees impermanence, wealth loses its weight.”
“When craving ends, even a prince becomes free.”
🪷 6. A Pāli-inspired closing line (very fitting for your dialogue scene)
Often used in Buddhist storytelling style:
“Ehi, Yasa. Dhammaṃ carāhi.”
Come, Yasa. Walk the Dhamma path.
If you want, I can also:
turn these into Buddha–Yasa chant-style dialogue
or create a cinematic “Pāli + English hybrid script”
or link it with Bimbisara’s verses for a royal contrast theme
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